
However, Öland’s Angelika Ann Kammerer stands out. A couple of years ago, she interpreted the dramatic world situation on an oversized playing field. Now she follows up on the world’s conflicts in a series of paintings about flight, hunger and vulnerability. Images that burn in an exhibition that is otherwise peaceful and sunny.
Barometern – OT
3 aug 2024

Unfortunately, I confused the names of two artists who both like to paint figures like the one in the current work, although the grant differs. The correct name of the artist who created the artwork in the Arthall should be Angelika Ann Kammerer, who built the Art Gallery in Mellböda.
…..
The exhibited artwork touches deeply,
and has already given rise to discussion.
Correction
Ölandsbladet
28 sept 2021

However, it is difficult not to mention Angelica Kristensson Aurelius*, whose mixed-technique „puppet girl“ (with, among other things, a string to pull) shows an exemplary human commitment. Do not pass by the creation until you have seen the razor blade and thought about it!
wrong name – correction on 28 sept
Ölandsbladet
26 sept 2021

Angelika Kammerer from Öland is one of Konstlab’s exhibitors and participates in several works that can almost be described as sculptural installations.With the starting point in classic board games, she has created current social commentary. She has, for example, reformatted Monopoly into a fully playable „Mongerpoly“ which, down to every detail, has a counterpart in the original game, but which in her version becomes a sharp comment on trafficking and the sex trade.
Östgöta Correspondenten
21 nov 2020

One dark snowy evening, the priest Dag Sandahl called at my house and asked me to paint this wooden sculpture. You don’t say no to someone out in the cold like this at Christmas time, says painter Ann Dettloff, who has drawn and painted since childhood. She had a couple of days to spare, so she had to use the night to catch up.
Ölandsbladet
22 dec 2009